I remember meeting a woman many years ago at a writing workshop (or conference of some sort). She struck me as very hippy-dippy at the time. Somehow we got to talking about my mother and my husband. I honestly can’t remember how or why, as that’s not typical for me (even with long-standing friends, much less new acquaintances). What stands out in my memory is that she told me I’d married my mother. I immediately dismissed this as ridiculous, because they are very different people in so many ways.
My mother always expected the worst of any sort of opportunity or scheme that caught Daddy’s eye or ear. My husband Norm is similarly quick to point out the flaws in any idea I present, though in a less judgmental fashion (he claims he’s just being realistic). When my daughter Nikki was planning her wedding, Norm and I visited all the state parks in the area to consider possible venues. He pointed out so many potential problems to the manager at Ken-Lake (the one we chose in the end) that she nicknamed him Mr. Negativity.
In contrast, my dad was such a believer in the power of positive thinking that it was almost annoying at times. He remained consistently optimistic that I could be president of my undergraduate university (or probably the U.S.) if I’d encouraged him, even though I hadn’t an ounce of administrative experience or ambition.
When Nikki was dating a high school boyfriend named Mark, she told us a story one day that has stayed with me. Mark’s parents had been expecting a windfall from their insurance company. They had not received it yet but were already contemplating how they were going to spend it. Nikki didn’t comment to them, but she later confided to us her feeling that they were inviting disappointment. To her surprise, the insurance check came through as they expected. As she told us this story, she said she’d realized to what extent we had trained her to always expect the worst. Until then, I hadn’t realized that both Norm and I were pessimists, though of slightly different types. If being a pessimist protects us from disappointment, it also shields us from joy.
As an academic trying to publish research, the best you can usually hope for when you submit a paper to a journal is a “revise and resubmit” with a list of suggested changes. Often you get another list on the second round and maybe even on the third. If you don’t celebrate on the first, second, or third round, by the time the paper is actually accepted for publication, it feels like old news and you’re starting to get tired of the paper anyway.
I’m trying to learn to celebrate the moments without delay, or I may never truly rejoice. Am I too old to learn?
Thank goodness for my dad’s positivity as he deals every day with my mom’s declining health and constant demands. Would that I become more like him, at least in this respect, as I age.
October 16, 2020
My husband and I were recently trying to recall our earliest childhood memories. It occurred to me that, apart from stories I’ve been told or those imagined from old photos, my earliest memories are of books.
I had four books as a small child, and I memorized them all. I may have had others, but possibly not—my parents did not spend money easily. These four introduced me to the world of books in a myriad of ways. I’m sure that at least one of them was a Little Golden Book, but I don’t think they all were. I know they all had colorful pictures on every page and not too many words. I remember at least one picture vividly from each book.
My parents selected wisely, as the four books fell into very different categories. One was about panda bears. The picture I recall from this one was of the panda bear eating bamboo shoots. This book introduced me to the world of nature and wildlife, and the joy of eating.
The second book was about a little pig who disappeared one day after eating a bunch of donuts. The picture I recall from this one was of the little pig erasing the blackboard for his teacher. Although I had not started school, I longed for the experience with every fiber of my being. This book introduced me to mysteries. I do not write in this genre, but I appreciate an element of mystery in everything I read or write.
The third book was Sleeping Beauty. The picture I remember best is of the lopsided cake the godmothers made before applying their magic. This, of course, introduced me to fairy tales, villains, and romance.
The fourth book, my favorite, was called The Little Ballerina. It was about a little girl who had polio. I remember two illustrations from this one. The first is of the girl looking out her window at the children playing outside and wishing she could join them. The second is at a dance recital after she’s strengthened her legs by taking ballet lessons. I always wanted her to be the lead ballerina in the center. She wasn’t, but she was one of the dancers. This introduced me to the immense potential humans have for overcoming hardships and handicaps, and achieving our goals.
Since I knew all these books by heart at a young age, I could impress visitors by pretending to read. How I longed to read for real! If I had a knack for memorization back then, I’ve long since lost it. I cannot remember any of the books in their entirety, only bits and pieces. I do remember how much I loved them. Imagine my delight when I eventually discovered a library filled with shelf after shelf of books. Still, there aren’t too many I recall as clearly and as fondly as these four.
The Morning After (Hurricane Sally)
Orange Beach, Alabama
September 16, 2020
We bought a 16th floor penthouse in Orange Beach a couple of years ago as a possible retirement home. We went to bed here last night with the wind roaring like a lion. Hurricane Sally was expected to make landfall sometime today most likely west of us, though the exact predicted location kept shifting eastward. At this point I don’t know where it touched down, or even if it has.
It’s about 9:30 AM as I write. Our condo has water standing in virtually every room with the possible exception of one guest bedroom and bath. The sliding door in the living room that faces directly onto the balcony is shattered, and the balcony tiles have flipped up and broken.
Last night before we went to bed we had water standing in the kitchen and dining room, but limited at that point to water from the ice maker (which we had disconnected). This morning the water is coming in through or around all doors, windows, etc. We have the balcony doors open to help dry out the floors and a stiff wind is blowing my papers, pens, throw pillows, and other stuff about.
Norm has spent a lot of time with a mop, but we really need a wet vacuum to suck up the remaining water. We weren’t here when Ivan struck, but know it was worse. Looking down toward the various pools, I see the mushroom waterfall from the kiddie pool lying dismembered inside the pool. The other pools look okay, except dirty and full of debris. The one nearest us now hosts fallen palm trees.
The door to the stairwell kept slamming open and shut last night, sounding like a shotgun. We moved our car to one remaining elevated spot in the parking lot. Most of the cars in the lot are okay, but a few have broken windows.
The Gulf is churning with foam like a giant mug of beer. One electrical outlet cover lies on the floor near the balcony doors. The power and water went out in the early morning, probably between 2 and 4 AM.
Yesterday the fire alarm kept going off every couple of hours, as the flooding would set it off with a corresponding recorded announcement. After the first one, which we obeyed—taking the stairs down 16 flights (15 actually, as there is no 13th floor), waiting for the firemen to check things out, then hiking back up fifteen flights—we ignored the rest. The property manager made an appearance at the first one. Both she and the news media indicated that if we hadn’t voluntarily evacuated by that point, our best course was to remain inside our unit—which we did.
In the middle of the night, I got up to use the toilet, and the commode seemed to be floating in a circle. In fact the entire room was floating, swimming, swaying in the intensity of the air currents.
Two Mornings After
September 17, 2020
We’ve had no power or water for two days. Yesterday we made our way toward Gulf Shores, but a police barricade blocked one side of the road. We had not brought our hurricane stickers for the car. Norm got out to talk to the policeman, who said we might not be allowed into Gulf Shores. We turned around.
Along the way we saw lots of broken, leaning, or sagging power lines. All traffic lights and power were out everywhere we looked. A later email suggested it was likely to be at least two weeks before power would be restored.
Water was flooding one side of the road in places, and some bridges were closed. We could not access news by tv or computer and were worried our cell phones would soon die (as we could not charge them, except in the car). Though tempted to leave, we could not obtain good information about road closures and routes out of Orange Beach. With no elevators, we dreaded hauling luggage; so, once we returned to our condo, we stayed put through another night. Fifteen flights of stairs make me question our decision to buy a condo this high.
Three Mornings After
September 18, 2020
On the way out of Orange Beach, we saw at least three large boats perched on the side of the road. One charter boat had crossed the highway and perched like a massive bird on the opposite side. Possibly the boats had lodged in the road, and someone had moved them to the side to allow traffic to pass. Many gas stations are closed, and we’re having trouble finding a restroom that’s open.
When I was considering the decision to quit my day job, I kept running into retirees who said retiring was the best thing that ever happened to them. They were traveling the world and staying busier than ever. Of course, this was before COVID-19. My decision was also before COVID-19, but not long before.
My husband retired a number of years ago. Over the years I’ve heard accounts of husbands who made a nuisance of themselves after retirement and drove their wives nuts. My husband, in contrast, has always been easily entertained. Riding his tractor, scanning the internet, reading books and news stories … these activities keep him more than content. I worry that we could be the reverse of the norm … that I’ll be the one to drive him crazy.
I had plans, but so many of those plans feel by the wayside when COVID-19 struck. I had intended to travel to Japan in the springtime, join a bus trip to Machu Picchu, visit the south of France, and speak at some writers’ conferences. All canceled. I’ve been the principal bread winner for years, but I’ve never been good at practicalities. At the university I had a staff of people to help out when my computer or overhead projector refused to cooperate. At home I have trouble just navigating the remote controls to the stereo and television.
Look for your strengths, I tell myself, and use those to help others. In this COVID-19 world, however, speaking engagements are drying up, or transitioning to online opportunities for which I feel ill equipped. I’ve always fancied the idea of writing meaningful fiction, but on my darker days, I articulate my fears. What makes me think I have any talent? What in my lifetime has given me insights worth sharing or greater wisdom than anyone else who has lived, loved, and survived?
I grew up with a bipolar mother, so I’m familiar with depression. I know that you can’t overcome depression by simply willing it away or by counting your blessings. Yet, I’ve not often been depressed myself. Until lately. After a few days of the doldrums, my minister brings a YouTube lesson to my aid. He reminds us of Paul’s words, and the familiar message rings true. When we cannot change our circumstances, we must try to change our attitude. I need to learn “in whatsoever state I am, therewith to be content.” (Philippians 4:11)
I also like this quote by Corrie Ten Boom: “When a train goes through a tunnel and it gets dark, you don’t throw away the ticket and jump off. You sit still and trust the engineer.”
Mainstream is a family suspense drama about three young couples whose five-year-old daughters disappear one August afternoon from a birthday party. Each of the couples wrestles with its own set of issues leading up to the disappearance. Mainstream finds each couple at a pivotal point in relationships and career choices when the disappearance occurs. Barbara has recently found out that her husband, Roy, has embarked upon an extramarital relationship while she’s been grieving a difficult miscarriage. Randa’s husband, Jonathan, has relocated his family to work for Roy, and is disillusioned by Roy’s work tactics and by his affair. Jonathan’s sister, Joella--who quit school years ago and has recently started to college--has just learned that her house is being foreclosed upon. How can she leave Luke, even if he is a liar and cheat, when he is hitting rock bottom?
Mainstream is, at the heart, a novel about marriage and the need for emotional and physical intimacy in marriage. Too often partners look outside their marriage to fill the void when one of these is lacking. I have seen many marriages fail inside the church, and too many betrayals of this nature.
I fear that avoiding the topic of intimacy may contribute to the problem. When people feel a void, they sometimes, sadly, divorce not only their spouse but also their relationship with God. Other couples lead separate, but distant lives within the same house for the sake of their children, finances, or even a misconception that God wants them to do so. I believe there’s a need in Christian literature to face these types of temptations as directly as we face issues like greed, alcohol, or violence. I’d like to think I could take a small step in that direction.
Objective and theme of Mainstream
All three marriages in Mainstream suffer, in one manner or another, from a lack of genuine intimacy, and the individuals within those marriages deal with their issues in different ways. When their daughters disappear one day, the women are forced abruptly to face their priorities and their choices.
The marriage of Randa and Jonathan is the strongest of the three, the one with the greatest promise for survival (not that any is without hope). Still, Randa withholds her deepest being from Jonathan. Even when they are physically intimate, Jonathan senses that Randa is not entirely present emotionally. Because of events in her past—an absent mother, a distant father, and an unfortunate relationship with a man—she believes herself unworthy of Jonathan’s love. Because we know that we are unworthy of God’s love, many of us struggle in the same way to give ourselves fully to him. Randa cannot open herself up emotionally to Jonathan for fear of being hurt or hurting him. Through the course of the novel, Randa comes to terms with what is missing in herself and finally gives herself to the man she so deeply loves.
In the marriage of Barbara and Roy, Barbara, like many women, is uncomfortable with physical intimacy. She tolerates it out of a sense of duty, but Roy senses her distaste and resents her for it. She is just beginning to overcome her discomfort when she suffers a heartbreaking miscarriage. After this, she withholds herself more than ever from Roy, and he turns to another woman. As Barbara recovers from her miscarriage, she grows to understand herself and her issues better than before, and to long for true intimacy with her husband. However, by the time she is ready, Roy’s betrayal may have gone too far. She also grows spiritually through this process.
In the third marriage, Luke and Joella have a solid physical relationship but lack emotional intimacy. As Joella commences to establish her independence as a student and a woman, she finds emotional intimacy with a younger man. As the novel approaches its climax, Joella comes to realize that this form of betrayal is just as serious as physical infidelity. Although Luke has many faults and has betrayed her in the past, can she justify leaving him for another man? First she must make a genuine effort to find the emotional intimacy she craves inside her marriage. She must also come to terms with the role she has played in allowing events to unfold, as well as the seriousness of her commitment to Luke.
I may have shared some of these thoughts before, but people keep asking me about my inspiration for the Sugar Sands novels. Each time I think about how to answer, I believe I go a bit deeper.
Joy After Noon
Carl Jung says: “The afternoon of life is just as full of meaning as the morning; only, its meaning and purpose are different.” Jung goes on to describe life's afternoon as the time when we begin to shift away from the ego being the dominant force in our life and move toward a journey that has real meaning.
I also like the following quote: In the afternoon of your life, you don’t do life. You do what resonates with the callings of your soul. When does the afternoon of life begin? I don’t believe the afternoon of life begins at a particular age, or even stage of life. In JOY AFTER NOON, Ray has been pursuing career success and material acquisitions, and experiences a significant change of direction. Some fairly disastrous events in his workplace precipitate the change—events that threaten not only his financial stability but the core of who he is.
Initially, the idea for Sugar Sands Book 1 and the title of the novel, Joy After Noon, was that Joy’s life has been lonely (and joy has been elusive) since her parents died when she was sixteen, and she has about given up on finding love when she meets Ray. She comes into his ready-made family and, for a time, this seems like a mistake. However, in the afternoon of her life, she finds love and joy.
Song of Sugar Sands
Sugar Sands Book 2 is Song of Sugar Sands (published in 2019). Although I’ve always been someone who seeks a higher power (and feels such a presence in my life), I’m also a person who struggles with doubts: doubts about churches, denominations, religion, and myself. So I decided to put a character with these kinds of doubts (Acadia) in a relationship with a man of such a deep faith he feels compelled to share his faith with everyone he encounters (Peter).
SONG OF SUGAR SANDS is a novel about—in the words of William Faulkner—the human heart in conflict with itself. Who hasn’t, at least occasionally, struggled with doubts about her faith in God or about God’s personal interest in her life? Also, relationships are difficult at their best, but particularly so when the individuals have differing views on faith. Still, there is hope. Song of Sugar Sands tells the journey of Acadia’s relationship with Peter and of her path toward deeper faith.
April 20, 2020
My first published book (other than textbooks) was “Pshaw, It’s Me Grandson”: Tales of a Young Actor. It’s a hard book to categorize because it’s largely memoir, but based more on my dad’s memories than on my own. He shared them with me by means of a series of cassette tapes he recorded while watching his grandson working on the television series, “Christy,” based on the award-winning novel by Catherine Marshall. Although the book didn’t sell many copies apart from those I sold in my hometown and my dad’s, it is still one of my favorites. I just realized it’s available for sale as a “Nook” e-book through Barnes & Noble. https://www.barnesandnoble.com/s/%22Debra%20Coleman%20Jeter%22?Ntk=P_key_Contributor_List&Ns=P_Sales_Rank&Ntx=mode+matchall.
My most recent published book is Song of Sugar Sands (published in 2019). Although I’ve always been someone who seeks a higher power (and feels such a presence in my life), I’m also a person who struggles with doubts: doubts about churches, denominations, religion, and myself. So I decided to put a character with these kinds of doubts in a relationship with a man of such a deep faith he feels compelled to share his faith with everyone he encounters.
Song of Sugar Sands is a novel about—in the words of William Faulkner—the human heart in conflict with itself. Who hasn’t, at least occasionally, struggled with doubts about her faith in God or about God’s personal interest in her life?
My next book (Sugar Sands Book 3) is forthcoming in 2020. The working title is Mainstream. Mainstream is a family suspense drama about three young couples (Barbara and Roy; Randa and Jonathan; Joella and Luke) whose five-year-old daughters disappear one August afternoon from a birthday party. Each of the couples wrestles with its own set of issues leading up to the disappearance. Told from the point of view of the three wives and one of the daughters, Mainstream finds each couple at a pivotal point in relationships and career choices when the disappearance occurs.
In Mainstream, Barbara has recently found out that her husband, Roy, has embarked upon an extramarital relationship while she’s been grieving a difficult miscarriage. Randa’s husband, Jonathan, has relocated his family to work for Roy, and is disillusioned by Roy’s work tactics and by his apparent affair. Jonathan’s sister, Joella--who quit school years ago and has recently started to college--has just learned that her house is being foreclosed upon. How can she leave Luke, even if he is a liar and cheat, when he is hitting rock bottom?
Right now I’m working on The Accountants, the screenplay for a pilot and television series about a group of misfits working as accountants and dreaming of another life. The protagonist hides the existence of her fiancé, a Vietnam veteran in a mental institution nearby, from her bosses and coworkers.
Looking further ahead, I’m planning to return to a sort of fictionalized memoir approach and tell the story of three generations of my family. I’m starting with my grandmother, who was born in the year 1900, in the first book, entitled “Bell City Bottom,” then moving to the story of my parents in Book 2, and finally to my own story in Book 3. I see this as my most ambitious project to date.
April 1, 2020
For those of you who know me well—and even those of you who don’t—my background as a CPA and accounting professor may seem entirely at odds with my desire to write fiction. I’ve decided to bring the two sides of my brain together in my next project, “The Accountants.”
Since returning home from New Zealand, I’ve been refining my “One-Year Plan to Write a Novel” into a “One-Year Plan to Write a Screenplay.” Now, upon finishing a draft of a revised plan, I’ve begun to apply the plan to a new television pilot and series. I don’t expect “The Accountants” to resemble either the short or the feature film called “The Accountant.” But I do hope mine will be entertaining—sometimes sad, sometimes funny, and sometimes enlightening. I suppose that’s my hope for all my fiction.
March 30, 2020
We are in the throes of the Corona (COVID-19) virus. When I say “we,” I don’t mean myself or my family but the world, and particularly, for me, the U.S. Of course, it affects us all, whether or not we have the virus ourselves. Certainly it could (and most likely will) get worse before it gets better. This morning, as I went for a walk around the neighborhood, I had the eerie feeling that I was living an episode of the Twilight Zone.
I imagine most writers are addressing this issue in their work or journals. Or, perhaps, like me, they’ve been too stunned to tackle the topic. Today I thought I’d shake off the “wait and see” attitude that prevents me from putting anything in writing at this point.
My husband and I had planned a number of trips this year. I should say “I” had planned an unprecedented amount of travel. Having just retired at the beginning of 2019 from teaching, I told myself that we should travel to parts of the world we’d never seen and do so before our health might prevent us. So I scheduled trips to Japan, Peru (Machu Picchu), and the south of France, in addition to our usual annual trip to New Zealand. By nature a bit of a risk taker and a lot of a cheapskate, I bought airfare, hotels, etc. mostly through Expedia (which packages various airlines) and mostly noncancellable and nonrefundable.
We were scheduled to leave for Los Angeles on February 18, spend a couple of nights with our son Clay there, then leave for New Zealand on February 20. By February 18, the virus was already causing serious problems in China and starting to spread into Singapore and Korea. Because we had scheduled layovers in Singapore on our way from Auckland to Japan (on March 22) and Korea on our way home (April 1), we knew we would mostly likely cancel our trip to Japan by the time we arrived in Auckland.
However, we thought travel to Auckland would be safe—and, so far as we can tell—it was. Shortly after arriving in New Zealand, we attempted to cancel our flights to and from Japan without success. A few days after we returned to the U.S. (March 22), Auckland went into “shut down” mode.
During our month in Auckland, the virus began to spread into and throughout the U.S. Life in Auckland was almost, though not quite, business as normal. I conducted a Ph.D. seminar with students in the room, though several others asked if they could receive a taping of the seminar instead of attending in person. People bunched together in bars, on beaches, in restaurants, and streams of students bumped against one another when a fire alarm sent us outside.
When I spoke with family in the U.S.—my sister, my son, my daughter, my parents—the reports of people wearing gloves and self-isolating even though they had no symptoms and no diagnosis—seemed like overkill. Appointments were being cancelled, others debated (was it safe for my mom to have her hair cut one last time?) At first I couldn’t quite take it all seriously, could hardly believe my ears.
By the time we left Auckland on March 22, we knew the virus was indeed serious. Where would it end? What would we find when we arrived in the U.S.? Should we wear masks on the plane even though reports indicate the masks aren’t helpful? Would we be able to buy toilet tissue or hand sanitizer?
We’re here now. We feel safe much of the time. But we are saddened to hear how many people in the world, in the nation, in our state, even in our city, have contracted the virus. When will it end?
My morning walk, despite the absence of people stirring, wasn’t without splendor. Flowers and trees are budding and bursting into full bloom. Spring surges into our world, oblivious to this threat to our health. Let’s enjoy the beauty around us and, yes, let our hearts sing.
In novels and movies, you often see people who risk everything -- their freedom, their families, their lives -- in the pursuit of wealth. People are willing to steal, kill, etc. for it. When I read or watch these works, I typically think, "How foolish! I'm so thankful that's not me", or even "I would never do that." Yet I also think how much of my own life -- (how many minutes of the day or days of the year) is consumed thinking in some fashion about money. But would wealth really bring an alleviation of problems, or create new ones? I wrote The Ticket to explore how the sudden acquisition of wealth might affect a family struggling to get by.
My parents were children during the Depression, and they knew what it was like to have very little in the way of material things. Yet they never look back on that time as being anything other than blessed. Still they are very careful with money. I got to thinking about how easy it is for people of our generation to get obsessed with wealth and the things it can buy. People sometimes risk their families, their freedom, even their lives in its pursuit. But would it really bring happiness? I wanted to explore this issue. I pray about having success with various things I’ve worked on, (if it’s God’s will), and this is the one where some success seems to be happening…so far at least.
There are actually two important messages. One is that wealth might not bring all the good things we sometimes envision and might create more problems than it solves. The second message is to treasure the moments with your loved ones; we never know how long we will have them in our lives.
The Ticket deals with some tough, realistic issues. The situation referred to in one controversial scene—where a sexual predator makes advances to Tray—is one that arises all too often, and I think it’s important for young women or boys who might face something like this in their lives to know that it’s not their fault. They are not alone. They should not feel ashamed. Ideally, I’d like for my book to open a dialogue within families about how to handle such a situation should it arise.
I don’t mean to give the impression that only bad things happen to Tray in The Ticket, or that the controversial scene lies at the heart of the novel. The Ticket is about a family that wins the lottery. While the win itself doesn’t provide the happiness they long for, good does come to Tray in various ways. A new girl at school turns out to be Tray’s dear friend. A boy she has a crush on begins to pay her some attention. Her relationship with her dad is strengthened. And, little by little, Tray becomes a more confident young woman who believes in her ability to survive the tough things that sometimes come our way in life.